magazine’s website. He suspects it was a School of Journalism and Mass Communication classmate of his, working for CNBC, who in fall 2010 pitched the unusual story of a Goldman Sachs banker who also was producing hip-hop music. “It created this tremendous hype around me. The press just had a great time with it,” Mask says. Goldman eschews publicity. The Ne w York Times, in an article that included Mask’s experience, said that at Goldman “a public persona can be a liability.” “Goldman got a little bit nervous,” Mask says. He was told he could not appear on the CNBC piece, and his employers set rigid restrictions on what he could do outside of work. “Basically, what they were saying was that music was over for me if I wanted to stay there.” Mask says Goldman wasn’t specifically nervous about his art form, hip-hop. Had standards singer Michael Buble been the banker involved, Goldman would have had the same reaction, Mask says. “They get really talented people [to work there] and to really focus … people work 100-hour weeks. You don’t do anything else.” For someone more in love with music than banking, it was time to move on, especially since his fiance lived in San Francisco. “I really love doing deals,” he said in his best Gordon Gekko impersonation. So when he moved west, it was to work in the same kind of position but for an organization with a very different attitude toward employees, Google Finance. His attire and hours changed, and the corporate reaction to his outside interests was supportive. Being able to pursue outside interests immediately paid
off for Mask and a Bay Area
children’s arts program. Mask
had done well in a previous
VH1 music video competition, so he entered the
cable network’s Battle of
the Bands, jointly sponsored with
DoSomething.org and
The Hot Topic
Foundation. He produced and starred in The
Next Big Thing, a hip-hop
video featuring students
from the Children’s After
School Arts program. Out of
20,000 submissions, Mask’s
entry won the grand prize
and $5,000 for the program.
It’s an entertaining video,
shot coincidentally by fiance
Carly Brantmeyer ’ 10. It’s uplifting and positive in tone, calling
for more arts in the schools and
exhorting children to appreciate
their teachers.
It’s a tune that even his parents
and professors with more traditional musical tastes might enjoy.
— Paul T. O’Connor
Musically, Mask
can play the sharp-
dressed man or present
a more casual style, in
hopes of reaching a
wide audience.
“Ultimately, I want to
make music for as many
people as I can. I want
everyone to enjoy it,”
he says.
JOSHUA HOFFMAN
CAROLINA ALUMNI REVIEW
JESSICA ROBINSON
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