Blame the English department. Shortly
after Athas was hired by the legendary writing teacher Max Steele ’ 46 into a rather
stodgy department that considered creative
writing a frivolity, she was asked to teach
stylistics (dictionary:“the study of the use of
elements of language style”). Miss Penny
from the high school had served it
straight-up;Athas was told she
could shape it as she wanted.
What evolved was a mushroom cloud of oddball exercises, a
semester-long festival of rule-breaking that culminates in a performance that has become somewhat of a campus institution
among the wordy set.
Originally known as “
Glossolalia” (dictionary: “talking in
tongues”), 47W has adopted the
name of the text Athas wrote for
it, “Gram-o-Rama.” Those who
have passed through the small,
rambunctious class know how hard
it is to describe (and a few have
run screaming, unable to figure out
where she was going with this).
Randall Kenan ’ 85, a decorated
writer and associate professor in
the department, tried in a published tribute to Athas: “English
47W, as Daphne chose to run it
for years and years, so became
somewhat controversial within certain Old
Guard quarters, primarily because Daphne
shunned the notion that learning should be
perforce dry-as-dust, austere, proper,
remote, apart. … In her hands, language
revisited its funkiest roots, became juicy
and ribald, dynamic and potent …”
Kenan also said: “I defy anybody to go
through that and not understand sentence
structure, word choice, sound. It really is a
utilitarian course, as silly as it may seem at
the end.”
“You have an agility with words after
you come out of that class that serves you
well in whatever you do,” said Mark
Meares ’ 77, one of many students with
whom Athas remains close. “She just keeps
swirling around in her talking and her yapping, and it all comes together. It’s the
opposite of didactic learning.”
Swirling and yapping. Now we’re getting somewhere. A conversation with Athas
rarely follows a straight line — it slaloms
and time-travels, leaving no bread crumbs
A conversation with Athas rarely follows a straight line — it slaloms
and time-travels, leaving no bread crumbs back to the starting point.
Sentences trail off into ‘blah-blah,’‘blither-blather’ and ‘hokery-pokery,’
as if she detests the idea of lingering too long on one thought.
DAN SEARS ’ 74
back to the starting point. Sentences trail
off into “blah-blah,” “blither-blather” and
“hokery-pokery,” as if she detests the idea
of lingering too long on one thought.
A friend wrote of her, “She takes off; I
hang on.” Another said, “She doesn’t do
transitions.”
The music of spoken language sometimes seems more important to her than
the subject matter, and that — music — is
what some of the disciples insist she’s really
been teaching.
“Stylistics was kind of like taking a
bomb and — boom — exploding any
tightness I might have felt into exuberance,”
said Elizabeth Moose ’ 80, who teaches creative writing and other subjects at the N.C.
School of Science and Mathematics.
The problem with a more traditional
approach such as teaching grammar
through great literature was, Athas says, the
absence of context.
For instance, when Chief Justice John
Roberts flubbed the oath of office, Athas
spotted a grammar moment (the whole
split infinitive thing) that she shared on the
“Gram-o-Rama” blog:
“Instead of the traditional words ‘I
solemnly swear that I will faithfully execute
the office of president of the United States,
‘Faithfully’ appears between the helping verb
‘will’ and the basic verb, ‘execute.’ Chief Justice John Roberts evidently disapproved. He
tried to make Obama say: ‘I solemnly swear
that I will execute the office of the president
of the United States faithfully. …’”
“I wanted to teach them grammar, but I
didn’t want to be in a fight with students
about rules. I don’t think there’s a right and
a wrong, but there’s a hearing. There’s only
been reading for 400 centuries in the way
we’ve done it, and now it’s going out
because we’ve got TV, and we’ve got
online. And people don’t hear it anymore. I
always heard it. I did from verbs, nouns, the
whole bit.
“I went and got the old grammars and
went through that whole bit but made up