PUBLISHING
’Cue Calendar
Dick Anderson ’ 86 and Scott
Carpenter ’ 86 were driving down I- 40 in
North Carolina when Carpenter pointed
out that there seemed to be a lot of
happy-looking pigs on the barbecue
restaurant billboards, an ironic attitude for
an advertisement announcing their own
demise. Anderson had been kicking around
the idea of publishing a calendar for some
time. The pigs fit the bill.
Anderson, who lives in Los Angeles, and
Carpenter, of Rutherfordton, began collecting candidates for the Pig-A-Day
calendar in January 2006, pulling together the
best and cleverest porcine propagandists for
barbecue restaurants, festivals and contests
across the country. Anderson, editor of the
alumni magazine for Occidental College,
recruited a designer, Claudia SanSoucie,
and they put the pigs to press in July in
time for the 2008 market.
Anderson, who cut his teeth on Carolina
barbecue, admits he and Carpenter didn’t
taste all of that barbecue firsthand. “Our
main criteria were visual,” Anderson says.
“It had to be pig art. There was some controversy about quality, but our baseline was
that you had to have a pig in there,
whether it was a barbecue place, a contest
or a festival.”
Note those special barbecue dates,
including Smokin’ Elvises of Kearney, Mo.,
a team of Elvis impersonators, on the
anniversary of Elvis’ death, Aug. 16; BBQ
Pirates of Longview, Texas, on Talk-Like-a-Pirate Day, Sept. 19; Trailer Pork BBQ of
Memphis, the only pig with a mullet, on
National Mullet Day, July 2; and the Carolina
BBQ Society ( unc.edu/bbq) on Dec. 11,
the date when UNC was chartered.
COUR TESY DICK ANDERSON ’ 86
PHOTOGRAPHY
Amigos. She was helping an effort to rein-
troduce the crop amaranto (amaranth). The Katie Zolkowski ’06 took this photo of a pineapple
dance in the Mexican village Santa Lucia Ocotlan.
grain, a cross between corn and rice rich in
calcium, fiber and iron, had been a staple of Zolkowski came home from the summer
the Zapotec Indians. When the Spanish with much more than a good photo or two.
arrived in the 1500s, they labeled amaranto a She honed the formal Spanish she had prac-
pagan crop because the Zapotec used it in ticed in Spain and developed an ear for the
offerings to the gods. The Zapotec contin- more colloquial speech of village life and
ued to grow the crop in remote areas and, working people. Today she is a human
with new interest in innovative farming and resources coordinator for Fowler
nutrition, the crop was being brought back. Contracting in Cary, where many new hires
That summer there was a lot of political are immigrant Spanish speakers.
turmoil in the state capital, Oaxaca City, and In addition to orientation for new hires,
the colorful festival of folk dancing, the Zolkowski handles day-to-day communica-
Guelaguetza, had been canceled by officials. tion problems. Even immigrant workers
Right Place, Right Time
KATIE ZOLKOWSKI ’06
Getting a winning photo is often a matter
of timing.
In summer 2006, Katie Zolkowski ’06
was volunteering in a village in the state of
Oaxaca, Mexico, for a nonprofit project,
In resistance, dancers continued to perform who speak English might have had little for-and came to Santa Lucia Ocotlan, the village mal education back home. Translating the
where Zolkowski lived. She had her camera daily diaries of a Spanish-speaking foreman,
ready and caught the colorful performers in Zolkowski works from phonetic spellings
a pineapple dance. She hadn’t thought much and a lot of grammatical constructions she
of it at the time, but when she got home, her did not see in her UNC classes.
father spotted a photo contest sponsored by “I’m glad that I have been in Mexico,”
Continental Airlines and Amigos. Zolkowski Zolkowski says. “Now I have a better idea of
won the Latin America Photo Contest. what’s going on.”
Looking Everywhere
Imagine this: You are sitting with your
camera shoulder to shoulder with a bunch of
fellow press photographers watching a game
— hockey, football, any game — waiting for
something to happen. When it does, there is
the sound of shutters and flashes. How are
you supposed to get that photo, one just that
much better than the person next to you?
Kevin Cox ’ 98 puts it down to taking time
and training his eyes. He learned on the job
under the wing of Grant Halverson ’ 93,
director of photography and multimedia for
The Cary News and whose work in UNC
publications is familiar to fans. “Your eyes are
looking everywhere, all the time,” Cox says.
“Everything I see, I’m thinking, how can I
make this into a photo?”
Cox knows what he is talking about. His
“Helmet Break Up,” a shot of New Orleans
Saints cornerback Mike McKenzie breaking
up a pass intended for Carolina Panthers wide
receiver Drew Carter, won the 2006 Dave Boss
Award for Excellence in the 39th Annual Pro
Football Hall of Fame Photo Contest. Cox,
KEVIN COX ’ 98
The winning shot by Kevin Cox ’ 98
now a photographer for Getty Images, took
the photo Oct. 1, 2006, on assignment for
WireImage.
Dick Anderson ’ 86, left, and Scott Carpenter ’ 86
with their muse, focused their calendar on the wide
variety of pig art at barbecue restaurants.
— Stories by Susan Simone
Read extended pieces in Class Notes:
Feature Profiles
Norton Tennille ’ 61, page 87
Holly Stein ’ 78 (MS, ’ 85 PhD), page 93
Brendan James ’02, page 106
Feature Obits
Dr. Joseph F. Patterson Jr. ’ 38, page 72
Morris Rosenberg ’ 40, page 74
George Grizzard ’ 49, page 76
Charles “Chick” McKinney ’ 57, page 84
Florence Soltys ’ 84 (MSW), page 97